Guatemala, 20th cent.
Wood painted with oil paints
10 1/4" w. x 7 1/2" d. x 8 1/4" h.)

Bamana people, Mali, mid-20th cent.
Wood with oil paints
(18 1/2"h. x 7 1/2" w. x 5 3/4" d.)

Armando Jimenez, Antonia Carrillo and Alejandro Jimenez
Arrazola, Oaxaca, Mexico, 2022
Wood painted with acrylic paints.
(5 1/2” w. x 10 3/4” d. x 6 1/4” h.)

Reduction linocut, #7/17, 2014
(7 7/8" h. x 11" w. image size on 12 3/4" x 15 3/4" sheet)

Gamnqoa (the heel or hock of a lion) found in his art a meaningful link to his past. It enlivens memories that would otherwise have been lost or dwell in his mind only. He grew up in a hunter-gatherer lifestyle and worked as farm labourer before his involvement in art. He started his career as an artist with the Kuru Art Project in 1997. He is well known for his oil paintings and linocuts of animals full of movement and flexibility.  (Bio courtesy of Kuru Art Project).

Armando Jimenez, Antonia Carrillo and Alejandro Jimenez
Arrazola, Oaxaca, Mexico, 2022
Copal wood painted with acrylic paints.
(12” w. x 14” l. x 12” h.)

Nepal, late 20th cent.
Decorative wood mask,  partly painted.
(11” d. x 6 1/2” w.  x 5 1/2” d.)

Chiapas, Mexico,
20th century
wood, oil paint
(5 1/2" w. x 3 1/2" d. x 6 1/4" h.)

Pascola dance - Yaqui or Mayo people, Sonora, Mexico,
c. 1990's
wood,  oil paint, horse hair.
(8 1/2" h. x 6 1/4” w. x 5 1/2”d., not including horse hair).

Armando Jimenez, Antonia Carrillo and Alejandro Jimenez
Arrazola, Oaxaca, Mexico, 2020
Wood painted with acrylic paints with sisal tail and mane.
(5 1/2” w. x 11” d. x 10” h.)