Azteca Dance of the Conquest Mask ( Mask with eagle nose/projection, and long horsehair beard) Puebla or Veracruz, Mexico. 20th century. Oil paint on carved wood with horse hair (10.5” h. x 7” w. x 10.75” d., 26” h. w/ beard) Provenance: from the Katharyn and Gordon Rayner Collection of Mexican Masks, Canada. Purchased from the collection of Jaled Muyaes, Mexico City, c.1990.
In the Fall of 2023 this mask was included in an exhibition at the Mexican embassy in Otttawa, Canada.

Diablo mask. Veracruz, Mexico. Mid-20th century. Acrylic paint on carved wood (9.5” h. x 12.75” w. x 5.75” d.)
Provenance: from the Katharyn and Gordon Rayner Collection of Mexican Masks, Canada. Purchased from the collection of Jaled Muyaes, Mexico City, c.1990.
In the Fall of 2023 this mask was included in an exhibition at the Mexican embassy in Otttawa, Canada.

Unsigned but attributed to Victoriano Salgado Morales (1920 - 2012) Uruapan, Michoacan, Mexico, c.1950 - 1970.
Maque lacquer on wood, with animal teeth. (14" H x 9" W x 6" D.)
Provenance: private New York collection.

A prolific designer and maker of wooden, maque, decorative masks used by dancers in Purépecha fiestas, one of Grand Masters of Mexican Folk art and one of last skilled masters of this unique art form. Mr. Salgado learned this skill from several mask makers of the Magdalena neighborhood where he grew up. His first mask dates back to 1950 and it was a "Negrito" folk dance mask.
Victoriano's masks are not painted, the process used for color is a highly superior technique called "maque", which is a pre-hispanic process involving numerous applications of natural earth and insect pigments and oils applied with the palm of the hand that hardens into a brilliant, lustrous surface. Mr. Salgado created over 60 different masks, the most famous: dance of the Señor Naranjo, and the dance of the Tataqueri, Corcovi, Negritos and Viejitos.
He passed away on September 2012 two weeks before receiving the Erendira Award, the highest prize given by the Michoacan State Government.

Moro de Carnaval mask - Plan de Palmas, Papantla, Veracruz, Mexico, early 20th century.
Carved wood w/ oil and mineral-based paints.
6" w. x 7 1/2” h. x 4” d.
Ex. Brand collection.

Unsigned but attributed to Victoriano Salgado Morales (1920 - 2012) Uruapan, Michoacan, Mexico, c.1970 - 1980 Maque lacquer on wood. (11.5" H x 9" W x 6.5" D.) Provenance: estate of artist William Scharf, NYC. A prolific designer and maker of wooden, maque, decorative masks used by dancers in Purépecha fiestas, one of Grand Masters of Mexican Folk art and one of last skilled masters of this unique art form, Mr. Salgado learned this skill from several mask makers of the Magdalena neighborhood where he grew up. His first mask dates back to 1950 and it was a "Negrito" folk dance mask. Victoriano's masks are not painted, the process used for color is a highly superior technique called "maque", which is a pre-hispanic process involving numerous applications of natural earth and insect pigments and oils applied with the palm of the hand that hardens into a brilliant, lustrous surface. Mr. Salgado created over 60 different masks, the most famous: dance of the Señor Naranjo, and the dance of the Tataqueri, Corcovi, Negritos and Viejitos. He passed away on September 2012 two weeks before receiving the Erendira Award, The highest prize given by the Michoacan State Government.

Huasteca/Otomi Chivo (goat) mask with ribboned headdress for Carnival. Hidalgo, Mexico. Mid-20th century. Oil paint on carved wood with horse hair, yarn, ribbon, wire, brass bells, steel nails (22 1/2” h. x 11” w. x 6” d., 33” w/ beard).
Provenance: from the Katharyn and Gordon Rayner Collection of Mexican Masks, Canada. Purchased from the collection of Jaled Muyaes, Mexico City, c.1990.
In the Fall of 2023 this mask was included in an exhibition at the Mexican embassy in Otttawa, Canada.

Unsigned but attributed to Victoriano Salgado Morales (1920 - 2012)
Uruapan, Michoacan, Mexico,
c.1970 - 1980
Maque lacquer on wood.
(9" h. x 7” w. x 5” d.)

A prolific designer and maker of wooden, maque, decorative masks used by dancers in Purépecha fiestas, one of Grand Masters of Mexican Folk art and one of last skilled masters of this unique art form.  Mr. Salgado learned this skill from several mask makers of the Magdalena neighborhood where he grew up. His first mask dates back to 1950 and it was a "Negrito" folk dance mask.

Victoriano's masks are not painted, the process used for color is a highly superior technique called "maque", which is a pre-hispanic process involving numerous applications of natural earth and insect pigments and oils applied with the palm of the hand that hardens into a brilliant, lustrous surface. 

Mr. Salgado created over 60 different masks, the most famous: dance of the Señor Naranjo, and the dance of the Tataqueri, Corcovi, Negritos and Viejitos.

He passed away on September 2012 two weeks before receiving the Erendira Award, The highest prize given by the Michoacan State Government.

Dance of Tigres. Zitlala, Guerrero, Mexico. Mid-20th century.
Painted leather with boar bristles, glass mirrors, cotton (14.75” h. x 14.5” w. x 14.5” d.)
Provenance: from the Katharyn and Gordon Rayner Collection of Mexican Masks, Canada. Purchased in Mexico c. 1990.
In the Fall of 2023 this mask was included in an exhibition at the Mexican embassy in Otttawa, Canada.

Animal (tapir or wild boar) mask. State undetermined, Mexico. Mid-20th century. wood, oil paint, glass marbles (16” h. x 7” w. x 6” d.)
Provenance: from the Katharyn and Gordon Rayner Collection of Mexican Masks, Canada. Purchased from the collection of Jaled Muyaes, Mexico City, c.1990.
In the Fall of 2023 this mask was included in an exhibition at the Mexican embassy in Otttawa, Canada.

Venado (deer) mask for Carnaval. Hidalgo, Mexico. Mid-20th century. Oil paint on carved wood with animal horn (21” h. x 25.5” w. x 8.5” d.)
Provenance: from the Katharyn and Gordon Rayner Collection of Mexican Masks, Canada. Purchased from the collection of Jaled Muyaes, Mexico City, c.1990.
In the Fall of 2023 this mask was included in an exhibition at the Mexican embassy in Otttawa, Canada.

Dance of Tigres. Zitlala, Guerrero, Mexico. Mid-20th century.
Painted leather with boar bristles, glass mirrors, cotton (14.5” h. x 16.75” w. x 12” d. )
Provenance: from the Katharyn and Gordon Rayner Collection of Mexican Masks, Canada. Purchased in Mexico c. 1990.
In the Fall of 2023 this mask was included in an exhibition at the Mexican embassy in Otttawa, Canada.

Spotted Animal (cat or hyena) mask.
State undetermined, Mexico. Mid-20th century.
wood, oil paint, (13” h. x 7.75” w. x 6.5” d.)
Provenance: from the Katharyn and Gordon Rayner Collection of Mexican Masks, Canada. Purchased from the collection of Jaled Muyaes, Mexico City, c.1990.
In the Fall of 2023 this mask was included in an exhibition at the Mexican embassy in Otttawa, Canada.

Puebla (?), Mexico, mid-20th century wood, oil paint (8.25” h. x 6.5” w. x 4.75” d.)
Provenance: from the Katharyn and Gordon Rayner Collection of Mexican Masks, Canada. Purchased from the collection of Jaled Muyaes, Mexico City, c.1990.
In the Fall of 2023 this mask was included in an exhibition at the Mexican embassy in Otttawa, Canada.

Guatemala, mid-20th cent.
Wood painted with oil paints
(6 1/2" w. x 5" d. x 9" h.)

Dance of the Tejorones. Coastal Oaxaca, probably Pinotepa area, Mexico, 20th century.
wood, oil paint, animal (probably rabbit) fur (7.75” h. x 5.2” w. x 4” d.)
Provenance: from the Katharyn and Gordon Rayner Collection of Mexican Masks, Canada. Purchased from the collection of Jaled Muyaes, Mexico City, c.1990.
In the Fall of 2023 this mask was included in an exhibition at the Mexican embassy in Otttawa, Canada.