Port-au-Prince, Haiti.
Sequins and beads on fabric.
(38 1/2” x 35”), c.2005.
Ex. collection of Nancy Josephson.
The flag is published in the book Spirits in Sequins:  Vodou Flags of Haiti by Nancy Josephson (p. 22).  She writes:  "Note the use of the chromolithograph image of Saint Antonio coupled with the incredible sequin work featuring Rockville's signature "shading".

Port-au-Prince, Haiti.
Sequins and beads on fabric.
(39 1/4” x 34 1/2”), c.2005.
Ex. collection of Nancy Josephson.
The flag is published in the book Spirits in Sequins:  Vodou Flags of Haiti by Nancy Josephson (p. 104).  She writes:  "Roro's Danthor uses the chromolithograph as a starting point.  The tremendous use of differemnt sequins in the same color family to depict a shaded, more three-dimensional idea is Roro's ultimate signature."

Port-au-Prince, Haiti.
Sequins, beads and plexiglass mirror on fabric.
(38 1/4” x 35”), c.2005.
Ex. collection of Nancy Josephson.
The flag is published in the book Spirits in Sequins:  Vodou Flags of Haiti by Nancy Josephson (p. 104).  She writes:  "Here Roro uses other elements, including mirrors, to work out his vevé-like iconography."

Port-au-Prince, Haiti.
Beads and sequins on fabric, with  clear plastic covering on chromolithograph print of face.
(16" x 15 1/2”), c.2005.
Ex. collection of Nancy Josephson.
The flag is published in the book Spirits in Sequins:  Vodou Flags of Haiti by Nancy Josephson (p. 25).  She writes "In this small 14" x 14" flag, Rockville needed to use the chromolithograph to show the face of the saint.  Note the use of French curves in the border.  This is one of Rockville's trademarks."