Nayarit, Mexico, c. 2000
Yarn pressed into beeswax on plywood
(24" x 24").

Provenance:  private collection, Arizona.
 

Brianville Valris (Port-au-Prince, Haiti)
Sequins and beads on fabric (42" x 35"), c.2010
This flag is extremely densely beaded and sequinned (and thus extremely heavy), in the manner of the artists Constant and Simeon.
This flag is being sold by Judy Hoffman for the benefit of the Art Creation Foundation for Children, which she founded in Jacmel, Haiti.

Port-au-Prince, Haiti.
Sequins, beads and plexiglass mirror on fabric.
(38 1/4” x 35”), c.2005.
Ex. collection of Nancy Josephson.
The flag is published in the book Spirits in Sequins:  Vodou Flags of Haiti by Nancy Josephson (p. 104).  She writes:  "Here Roro uses other elements, including mirrors, to work out his vevé-like iconography."

Evelyn Alcide (Port-au-Prince, Haiti)
Sequins and beads on fabric (31 1/2 x 25 1/4), c.2010
This flag is extremely densely beaded and sequinned (and thus extremely heavy), in the manner of the artists Constant and Simeon.
This flag is being sold by Judy Hoffman for the benefit of the Art Creation Foundation for Children, which she founded in Jacmel, Haiti.

Sequins and beads on fabric (29" x 32"),
2009

This flag is extremely densely beaded and sequinned (and thus extremely heavy), in the manner of the artists Constant and Simeon

Pierre-Joseph Valcin (Port-au-Prince, Haiti)
Oil on Canvas (36 x 24), c.1994.  Framed.
From private collection.

Port-au-Prince, Haiti
Oil on Canvas (36" x 24"), 1989.  
Ex. collection of Carlos Jara.

Sequins and beads on fabric
(39" x 36"), 2004.

Ex. Collection of Dr. Jacques Bartoli.

Fils Lafleur (Port-au-Prince, Haiti)
Beads on fabric (36.75” x 30”)
c.2005
This flag is being sold by Judy Hoffman for the benefit of the Art Creation Foundation for Children, which she founded in Jacmel, Haiti.

"Dambalah Wouedo" - Vodou Flag
Sequins and beads on fabric
(41" x 34"), 1999
This flag is being sold by Judy Hoffman for the benefit of the Art Creation Foundation for Children, which she founded in Jacmel, Haiti.

Unsigned but attributed to Victoriano Salgado Morales (1920 - 2012)
Uruapan, Michoacan, Mexico,
c.1970 - 1980
Maque lacquer on wood.
(11.5" H x 9" W x 6.5" D.)
Provenance: estate of artist William Scharf, NYC.

A prolific designer and maker of wooden, maque, decorative masks used by dancers in Purépecha fiestas, one of Grand Masters of Mexican Folk art and one of last skilled masters of this unique art form. Mr. Salgado learned this skill from several mask makers of the Magdalena neighborhood where he grew up. His first mask dates back to 1950 and it was a "Negrito" folk dance mask.

Victoriano's masks are not painted, the process used for color is a highly superior technique called "maque", which is a pre-hispanic process involving numerous applications of natural earth and insect pigments and oils applied with the palm of the hand that hardens into a brilliant, lustrous surface.

Mr. Salgado created over 60 different masks, the most famous: dance of the Señor Naranjo, and the dance of the Tataqueri, Corcovi, Negritos and Viejitos.

He passed away on September 2012 two weeks before receiving the Erendira Award, The highest prize given by the Michoacan State Government.

Fils Lafleur (Port-au-Prince, Haiti)
Beads on fabric (35 3/4" x 30 1/4")
c.2005
This flag is being sold by Judy Hoffman for the benefit of the Art Creation Foundation for Children, which she founded in Jacmel, Haiti.

Gerard Fortuné (Port-au-Prince, Haiti, 1924-2019)
Oil on board (24"x 32"), c.1984.

Vintage Huichol yarn painting c.1970's. Yarn pressed into beeswax on plywood (24" x 24"). From a private collection. This 24 X 24 yarn painting is by master artist Cresencio Perez Robles. Perez's work was included in book Art of the Huichol Indians, which accompanied an exhibition of Huichol Indian Art, organized by the Fine Arts Museums of San Francisco. The exhibition traveled from San Francisco in 1978 to Chicago and New York. It was this show and the accompanying catalogue that first introduced Huichol yarn painting to the general public. Cresencio Perez Robles work was also featured in the exhibit Living Traditions Mexican Popular Arts in 1992 at the University Art Museum at Albany State University of New York and the accompanying book of the same title. This picture was made in the 1970's of wool yarn pressed onto wax spread on a wooden board. Today yarn paintings are made of acrylic yarn. On the back the artist wrote the meaning of the piece in both Huichol and in Spanish. It is signed by the artist, with a stamp from the Instituto Nacional Indigenista, in Mexico.

Oil on board (24"x 24"), c,1990. Framed.
Provenance: private collection