Claudio Jimenez Quispe (Peru), 2019
Painted plaster sculpture in painted wood box
(18" h. x 11" w. x 4" d.)
This piece requires custom shipping due to size and fragility.  We will provide estimates on request.

Poro secret society, Liberia
Wood with glass tube eyes, steel nail in forehead (9" h. x 5 1/4” w. 3 1/2” d.)

Ex. collection of Jonathan Fisher
ex. Charles D. Miler III, 1976.

Fon, Benin, late 20th century
Pair of masks - Wood with red, green, yellow, black, white oil paints, remnants of rubber inner tube chin straps.  Initials "S.P." painted on the back of both masks (8” h x 6 1/2” w. x 8 1/2” d., 7 1/4" h. x 8” w. x 7 1/2” d.).  
Ex. collection of Nancy Josephson.  Purchased by collector in Benin, c.2000.

Unsigned but attributed to Victoriano Salgado Morales (1920 - 2012)
Uruapan, Michoacan, Mexico,
c.1970 - 1980
Maque lacquer on wood.
(9" h. x 7” w. x 5” d.)

A prolific designer and maker of wooden, maque, decorative masks used by dancers in Purépecha fiestas, one of Grand Masters of Mexican Folk art and one of last skilled masters of this unique art form.  Mr. Salgado learned this skill from several mask makers of the Magdalena neighborhood where he grew up. His first mask dates back to 1950 and it was a "Negrito" folk dance mask.

Victoriano's masks are not painted, the process used for color is a highly superior technique called "maque", which is a pre-hispanic process involving numerous applications of natural earth and insect pigments and oils applied with the palm of the hand that hardens into a brilliant, lustrous surface. 

Mr. Salgado created over 60 different masks, the most famous: dance of the Señor Naranjo, and the dance of the Tataqueri, Corcovi, Negritos and Viejitos.

He passed away on September 2012 two weeks before receiving the Erendira Award, The highest prize given by the Michoacan State Government.

Unknown artist. Jacmel, Haiti.
Painted papier maché, fabric, rubber and cow-horn (14 1/2" h. x 20” w. 14” d. not including tongue and fabric) c. 1989.
I have been told that “Se wè ya wèm” means : "A little while, and you will no longer see me".
Ex. collection of Rudi Stern.

Note: this is a vintage piece collected over thirty years ago, and displayed by the collector.  Some wear and chipping of paint is to be expected.

Grassfields region, Cameroon (probably Bamum people), mid-20th century.
Wood w/ organic patina (13" h. x 9" w. x 6 3/4" d.).

Ex. collection of Jonathan W. Fisher
Purchased in Cameroon, c. 1970. 

Fon, Benin, late 20th century
Wood with red, green, yellow, black, white oil paints, nylon string (18"h. x 6 1/2"w. x 8" d.).  Snake in pot is operable by pulling string.  
Ex. collection of Nancy Josephson.  Purchased by collector in Benin, c.2000.

Yoruba people, Nigeria
wood w/ oil paint (8 1/2"h. x 8"w. x 10"d.)

Unknown artist. Jacmel, Haiti.
Painted papier maché, fabric, rubber and sisal rope fiber (14" h. x 14” w. x 15” d. (not counting hair) c. 2000.

 
Ex collection of Nancy Josephson.