Erzulie Dantor Beaded Drapo Vodou (Vodou flag)
Roudy Azor (Port-au-Prince, Haiti)
Sequins and beads on fabric (16 1/2" x 20 1/2"),
2018
The flag is extremely densely beaded and sequinned (and thus extremely heavy), in the manner of the artists Constant and Simeon.
"La Sirene" Vodou Flag
Mireille Delice (Port-au-Prince, Haiti)
Sequins and beads on fabric (17" x 17"),
c.2013
This flag is extremely densely beaded and sequinned (and thus extremely heavy), in the manner of the artists Constant and Simeon.
Port-au-Prince, Haiti
Beads on fabric (23 1/4" x 20 1/2”)
c.2005.
Ex collection of Nancy Josephson.
This flag is extremely densely beaded (and thus extremely heavy), in the manner of the artists Constant, Simeon, Delice, etc..
Gran Bois Beaded Drapo Vodou (Vodou flag)
Roudy Azor (Port-au-Prince, Haiti)
Sequins and beads on fabric (17" x 13”),
c.2022
The flag is extremely densely beaded and sequinned (and thus extremely heavy), in the manner of the artists Constant and Simeon.
Gran Bois Beaded Drapo Vodou (Vodou flag)
Roudy Azor (Port-au-Prince, Haiti)
Sequins and beads on fabric (17 1/4" x 13 1/4”),
c.2022
The flag is extremely densely beaded and sequinned (and thus extremely heavy), in the manner of the artists Constant and Simeon.
Gran NaloumbaBeaded Drapo Vodou (Vodou flag)
Roudy Azor (Port-au-Prince, Haiti)
Sequins and beads on fabric (17 1/2" x 13"),
2018
The flag is extremely densely beaded and sequinned (and thus extremely heavy), in the manner of the artists Constant and Simeon.
Loco AtissouBeaded Drapo Vodou (Vodou flag)
Roudy Azor (Port-au-Prince, Haiti)
Sequins and beads on fabric (17 1/4" x 13 1/4”),
c.2020
The flag is extremely densely beaded and sequinned (and thus extremely heavy), in the manner of the artists Constant and Simeon.
Attributed to Ceus "Tibout" St. Louis, but could be the work of one of his students, such as Lhérisson Debreus.
Mixed media: sequins and beads sewn on fabric (10" x 8”), on wood stretcher. Features raised design elements by means of stuffing cotton between layers of fabric using "trapunto" technique. Dated c.1960 per Phyllis Kind Gallery, New York.
Provenance: Estate of Phyllis Kind.